China Copyright Law

Copyright Protection in China – It’s Real and It’s Spectacular

Okay, maybe not spectacular. But definitely real. An article in yesterday’s Wall Street Journal, How a Plague on the Movie and Music Industries Became Their Chief Protector in China sums up the change happening with China IP protection and enforcement: Chinese search giant Baidu Inc. was once a scourge of Hollywood and the U.S. music

China corporate lawyers

China Copyrights and Fair Use

China’s copyright laws have been in line with the United States and the EU and other developed countries since China became a signatory to the Berne Convention in 1992 and the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS) in 2001. But it’s hardly news that you can get a pirated copy of pretty

China IP

A China IP Reality Check

A strange and fascinating story is unfolding in the world of Chinese reality television programming. One of the most popular shows in China, The Voice of China, is embroiled in legal controversy, and the outcome could affect every content license in China. Okay, that might be a bit of hyperbole, but still, this is one

China Counterfeit Lawyers

Copyright Takedowns in China

Copyright takedowns in China and copyright notices. What you can and should do now to be able to use a copyright takedown to protect your copyrights in China.

China and Motion Picture Copyright

China Motion Picture Copyrights

China joined WIPO (the World Intellectual Property Organization) in 1980 and it introduced its first copyright law in 1990. China adopted modern intellectual property laws as a condition of joining the WTO (the World Trade Organization) in 2001. 2001 China intellectual property laws amendments The 2001 amendments were the first round of modernization of China’s

China movie business

Media Piracy and the End of Chinese Cultural Exceptionalism

A reader sent me a link to a report on Media Piracy in Emerging Economies. The report, put out by the American Assembly at Columbia University, “is the first independent, large-scale study of music, film and software piracy in emerging economies, with a focus on Brazil, India, Russia, South Africa, Mexico and Bolivia.” It is