Abogado

Mathew Alderson, Abogado

Equilibrando las expectativas internacionales con las realidades locales.
 
Mathew Alderson

Mathew asesora en  negocio internacional y en derecho corporativo centrándose en la industria creativa, del entretenimiento y de la tecnología. Denominado “abogado vanguardista” por la revista Variety Magazine, Mathew, con oficina en Beijing, es el líder de nuestro departamento chino de derecho de medios de comunicación, y del entretenimiento. Representa a importantes estudios de Hollywood y productores tanto en proyectos de cinematografía como de televisión. La clientela de Mathew se extiende además a empresas de organización de eventos y promotores, despachos de arquitectura, universidades y editores.

Mathew ha tenido una oficina en Beijing desde 2004, y se trasladó a dicha ciudad en 2009 para disfrutar de forma más directa de las oportunidades que ofrece la industria creativa, de entretenimiento y de los medios de comunicación. Mathew es copresidente del AmCham China’s Media & Entertainment Forum desde 2010 y es un colaborador regular del Libro Blanco anual de AmCham China.

Nacido en Brisbane, y habiéndose educado en Nueva Gales del Sur (Australia) Mathew disfruta del entusiasmo y de los retos de vivir y trabajar en el centro político y cultural de China.

Más Sobre Mathew

Los artículos publicados

Author of the UK-China Film & TV Toolkit.

Work published frequently on China Film Insider and Conventus Law.

Contributing blog writer on China Film, TV, and IP, China Law Blog.

Co-author, Media and Entertainment Chapter, American Business in China (White Paper), AmCham-China, 2011-2016.

Digital Redemption for China’s Movie Market,” Business Now, March 1, 2015.

Contributing Editor, Current Issues in Film Law, Butterworths, 2001.

apariciones en los medios

Chinawood,60 Minutes, August 14, 2016.

2015: The year China’s film industry doubled down on content,” China Economic Review, March 3, 2016.

China’s Dalian Wanda Sets Its Sights on Hollywood With Legendary Deal,” The Wall Street Journal, January 5, 2016.

Legendary Deal Will Transform China’s Wanda Into Entertainment Giant,” Variety, January 5, 2016.

Hollywood goes to China but Arnie fans must play the game,” Financial Review, September 12, 2015.

Wechat is Tencent’s ace in China’s online entertainment race,” Reuters, May 12, 2015.

2014: The year China’s film industry got more industrial,” China Economic Review, January 27, 2015.

“The Inside Intel on Wanda Group’s $8.2 Billion China Studio Plan,” The Hollywood Reporter, November 25, 2013.

“Chinese Factual: Initial Fears Before a Long Haul,” Screen Hub, October 12, 2013.

Chinese Mogul Wang Jianlin Lays Down Challenge to Hollywood,” The Sydney Morning Herald, September 23, 2013.

China’s Loming Entertainment Problem: Not Enough Lawyers,” The Hollywood Reporter, June 21, 2013.

Could China’s Growing Influence in Hollywood Affect Christian-themed Movies?“, Fox News, June 18, 2013.

‘Man of Steel’ Takes in Nearly $6 Million in China Opening“, Los Angeles Times, June 10, 2013.

After the Controversy, ‘Django Unchained’ Flops in China,” Los Angeles Times, June 4, 2013.

“Hollywood Tasting Bittersweet Success in China,” China Digest, Issue 29, May 13, 2013.

How Hollywood’s Obsession with China May Change Movies Forever, Buzzfeed, May 12, 2013.

China May Pit ‘Skyfall’ vs. ‘Hobbit’,” Variety, November 12, 2012.

Charlas

The New UK-China Film & TV Toolkit,” Third UK-China Intellectual Property Symposium, Intellectual Property Office of UK & State Intellectual Property Office of PRC, Beijing, August 26, 2016.

Film production in China — an overview of legal & regulatory issues,” British Film Institute, London, August 5, 2016.

“TV production in China — an overview of legal & regulatory issues,” Producers Alliance for Cinema & Television, London, August 4, 2016.

China Film Finance – In Conversation with Bennett Pozil of East West Bank,” AmCham China, Beijing, April 21, 2016.

Intellectual Property and Film in China,” British Film Institute China Delegation, Beijing, April 17, 2016.

IP in China’s Entertainment Industry – the Big Issues,” AmCham China, AmCham China Conference Center, Beijing, March 21, 2016, 12PM-2PM.

“China Australia Film Collaboration,” Cinefest Oz Film Festival, Western Australia, August 27, 2015.

An Overview of Intellectual Property in Film and Online Broadcasting (VOD) Regulation in China,” China Britain Business Council, June 23, 2015.

Sino-foreign co-productions,” Beijing International Film Festival, April 20th, 2015.

“Legal aspects of China film production,” British Film Institute Roundtable, Beijing, March 7, 2015.

China’s entertainment industry: exploring the evolving legal and business landscape,” Beverly Hills Bar Association, November 3, 2014.

China’s booming entertainment business: a lawyer’s view,” Foreign Correspondents’ Club of China, September 17, 2014.

“Intellectual property aspects of film production in China,” British Film Institute Roundtable, April 15th, 2014.

“Film Finance Seminar,” Shanghai International Film Festival, Shanghai, June 13, 2013.

“Australia-China Publishing Forum,” Beijing International Literary Festival, March 20, 2013.

“Market Access for Services in China,” American Chamber of Commerce in China, August 20, 2012.

“Current issues for American business in China,” United States Department of Commerce, Beijing, August 15, 2012.

“The role of foreign lawyers in assisting Chinese foreign direct investment,” The China International Fair for Trade in Services, May 29th, 2012.

“Sino-Foreign Film Co-Productions,” Beijing International Film Festival, April 23, 2012.

“Don’t Be a Bull in the China Shop,” 2011 Screen Producers Association of Australia Annual Conference, November 16, 2011.

“Sino-Foreign Feature Co-Productions: Legal Compliance for Foreigners in China,” Australia-China Film Forum, Beijing, December 10, 2010.

ÁREAS DE PRÁCTICA

EDUCACIÓN

  • Universidad de Queensland, Brisbane, Australia (B.A., LL.B, 1986, 1988)
  • The College of Law, Sydney, Australia (Curso de práctica jurídica, 1989)